![essb audio group essb audio group](https://s3.amazonaws.com/files.qrz.com/b/9h5qb/Software_ESSB.jpg)
The ATR-30 is very nice mic.My fellow hams were wondering which is that fantastic mic that plays wonderful with W2IHY gear.I didn't tell them the model.They think it's expensive.LOL. Just to follow up to see how you make out with the ATR30 mic? I'm now using the AT2010 also by Audio Technica. Then, I 'll let you know my comparison tests. I am very curious about the ATR 30 so I ordered it.I will have it in about 2 weeks. I use a Neumann TLM-103 and the EV 27.Both of them are very good and perform fantastic with external gear connected to my Orion II. Great handheld condensor for less than $100. Try the new AT2010 microphone from Audio Technica. The other one, that I use alot in the Studio, usually for vocals is the PR40. These two mics are two of my favorite all time dynamic mics in the Universe. My two favs are the Shure SM7b, and the EV re27. I use rode Broadcaster, and Heil Heritage It beats the Heil PR-40 mic, the Shure Beta 87A, the RE-20 and several other costing 10-20 times more! Seriously, this is one hell of a mic. The Audio Technica ATR-30 is the absolute best mic for Hammy radio use, whether you are into ESSB, VooDoo or not.
![essb audio group essb audio group](http://sfwallpaper.com/images/ham-radio-wallpaper-30.jpg)
Essb audio group plus#
I have mine coupled with the W2IHY 8 Band EQ & EQ Plus into the FT-950 and it sounds awesome! Good luck It sells for just $35 + S/H from various audio stores online. I got good results from them but tell you what.a cheap microphone beat them all by a mile. In my almost 22 years of being a ham I've tried a lo of microphones from the Astatic, Turner, Shure, Icom, Yaesu, Kenwood and the Heil line of microphens. Compression Disabled.What is the best mic you've used for ESSB? Maybe I'm missing the whole point - I use a heil-mic and Sony studio-monitor headphones for my audio adventures in this fine hobby - but, eh! each to there own.Īctive Users: 1 ( 1 guest, 0 members, 0 anonymous members )Īll times are GMT -5:00, Time now is 4:03pm In crowded bands or contests, it could always be reduced to 3 or 4KHz for the duration in keeping with good practices. I suppose (I theorize) that an eSSB signal at 4 or 6KHz with proper adjustments can in fact be a much 'cleaner' signal than the aforementioned 2.8KHz, badly adjusted signal. IMHO, given our J3E bandwidth requirements and current RX filter technology I think all the additional effort is probably wasted, as no one will ever hear that additional audio quality?Īfter all, Audio Quality is directly proportional to bandwidth, is it not? - well, I guess thats only partially true, especially as here in N.A., there is no apparent restriction on a ham station's bandwidth (even in USA FCC Part97), so conceivably one can go up to 6KHz and utilize more color (higher frequencies) in the audio spectrum.īTW, I hear many full-legal limit stations on 20 and 40m here in North America, who are operating at (supposedly) 2.8KHz who just haven't a clue on setting up there processors and ALC, they sound terrible and produce many unwanted artifacts to boot! - so imagine all your stuff in their hands! I suspect you were probably not around in the UK in the '60s when AM on 20m was the trend? - signals those days were high-fidelity, wide as a barn-door and the 'MPT interference van' was always on the prowl!) - but I guess up at VHF/UHF, there's lots of space to get into trouble lol
![essb audio group essb audio group](http://www.wz5q.net/index/audiocrew_data/zf1dg.jpg)
I would hate to be a 'local UK ham' to you with all that over-modulation potential and one's natural urge for 'knob-turning' lol. ( BTW, I spent a number of Years as a broadcast Engineer and your existing audio setup would have made many of our small-studio managers really jealous!) Wow! it looks like a 'Hi-Fi Studio wannabe' schematic - I would apply for a 'real' broadcast licence for '88-108 MHz' if I had all that stuff kicking around, why waste it on the ham bands ?